I am currently watching a television series called The Genius of Design on BBC 2. I happen to have done a little graphic design, when I lived in London, and it is a subject I find compelling.
Design is ubiquitous in modern life and indeed human life. (In a sense, all human action ids) A big part of my interest in Comics and Animation centres on the role design plays in how (and whether or not) they work.
Genius of Design focusses on Industrial Design, but I believe that the processes and motivations of design transcend their fields of practice. One of the designers featured on the first programme was Dieter Rams, a German industrial designer whose designs for Braun in the 1960s and '70s are considered iconic.
'Back in the early 1980s, Dieter Rams was becoming increasingly concerned by the state of the world around him – “an impenetrable confusion of forms, colours and noises.” Aware that he was a significant contributor to that world, he asked himself an important question: is my design good design?'
This, then, is the first of a short series of blog posts musing on design, through the lens of Rams's Ten Commandments of Design:
- Good design is innovative
- Good design makes a product useful
- Good design is aesthetic
- Good design makes a product understandable
- Good design is unobtrusive
- Good design is honest
- Good design is long lasting
- Good design is thorough down to the last detail
- Good design is environmentally friendly
- Good design is as little design as possible
Reading Dylan Horrocks' review of Mark Barrowcliffe's The Elfish Gene and his short comic, The Physics Engine, struck me with a pang of nostalgia for the world of roleplaying gaming.
I have tremendous sympathy for kids who get into roleplaying games. The RPG geek's lot is somewhat tragic, and not in the usual sense. Far from the odious, egotistical stereotype, I feel that most teenagers (or at least boys) respond to roleplaying, offers two succours in an otherwise difficult period: a sense of empowerment and purpose in an otherwise chaotic period of development and a safe way of exploring (intellectually and emotionally) the fearful and banal new territory of pubescence.
Childhood is a mysterious time. Children are all artists and magicians. And they are all roleplayers. As children become self-conscious teens and young adults, they are often divested of free communion with the world of the imagination; many people feel this loss of beauty and enchantment bitterly.
Roleplaying is playing. It is about creating worlds, characters, exciting events and involving other people in one's own imaginative world. A bit like writing stories. Or acting. Or drawing cartoons. The charge of escapism is at least as legitimate of these other creative activities as it is of roleplaying.
I recently read Lynda Barry's What It Is , which saddens and inspires by turns. Barry gives a recognisable description of having her mental life stripped of confidence, imagination and creativity - albeit far more brutally than most of us experience - to conform with a vision of adult normality.
Ironically, this child's-eye view (indeed, caricature) of being 'grown up' has little to do with emotional maturity or social (or even personal) responsibility. It reminds one that being told to 'grow up!' is to be admonished rather than encouraged, where innocence is conflated with naivety.
Although I haven't taken part in a roleplaying game in many years, my memories of it are mainly of friendship and creativity. Respect for the natural world, understanding of and empathy with others, and foresight require imagination. It seems to me that the world could do with more of this.
Genius of Design focusses on Industrial Design, but I believe that the processes and motivations of design transcend their fields of practice. One of the designers featured on the first programme was Dieter Rams, a German industrial designer whose designs for Braun in the 1960s and '70s are considered iconic.
